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When It’s Perfect

FZ: . . . just so I can hear the song again

One two one two three

I'll give you two bars

One two one two three

One two one two three

Again

One two one two three

One two one two three

That's We're missing

The accent

FZ: Okay

Frank, thethat part?

FZ: No, actually, I think the part you've got is probably . The other one was pretty much engineered for the tuba.

Now, let's go over this \"New Brown Clouds\" the way we were starting off with it. You missed this part. There's seven, you count seven quarter notes before you come in, Kenny. And then you read that as if it was double-time.

FZ: Duh-duh duh-duh-duh duh-duh duh duh duh

Duh-duh duh-duh-duh duh-duh duh duh duh

Duh-duh duh-duh-duh duh-duh duh duh duh

Duh duh duh duh duh duh duh duh duh duh duh duh duh

Oh

FZ: All right, let me hear it.

FZ: Let me hear the brass at that double-time clip.

One I will count the seven beats before you come in.

One two three four one two three

FZ: That 5/16 thing is like a little fanfare.

Duh-duh duh-duh-duh

Duh-duh duh-duh-duh

Duh-duh duh-duh DUH

Yeah, right.

FZ: You know those little fanfares.

Aynsley:the four beat exactly?

Aynsley:just before it.

FZ: When it's perfect, it'll come into the right place.

Aynsley: Yeah, but it'sexactly

FZ: It should be one two three four one two three duh-duh duh-duh-duh

Aynsley: a sixteenth note before

FZ: Yeah. It comes in right on the downbeat of the four beat of bar two.

Aynsley:

FZ: One two three four one two three

Duh-duh duh-duh-duh duh-duh duh duh duh

Duh-duh duh-duh-duh duh-duh duh duh duh

Duh-duh duh-duh-duh duh-duh duh duh duh

Duh duh duh duh duh duh duh duh duh duh duh duh duh

Okay, here it is in full regalia

Where?

FZ: From the beginning. Brown Clouds